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Elara*

Elara*

Elara*

floral painter

floral painter

painting slowly in oil on linen, from flowers gathered at the market each morning, her work transforms each bouquet into an emotional and symbolic composition, blending softness, texture, and the long tradition of the still life into a distinctive visual language.

Portrait of Elara in her studio
Portrait of Elara in her studio
Portrait of Elara in her studio
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase
Floral Still Life with Ribbon and Silver Vase
Iris and Tulips in a Delft Vase
Bird’s Nest and Poppies in a Niche
Bouquet Before a Summer Sky
Night Bouquet with Irises
Hollyhocks on a Marble Ledge
Flamed Tulips in a Bronze Vase
Cabbage Rose in a Glass Carafe
Poppies and Carnations with a Pocket Watch
Garland of Fruit and Flowers
Pale Rose in a Stone Urn
Striped Tulip in a Gilded Vase

(About)

I paint flowers as a way of slowing down time — holding a single bloom long enough to watch it open, bend, and quietly begin to fall.

I paint flowers as a way of slowing down time — holding a single bloom long enough to watch it open, bend, and quietly begin to fall.

I paint flowers as a way of slowing down time — holding a single bloom long enough to watch it open, bend, and quietly begin to fall.

Vision

Her work transforms flowers into emotional and symbolic compositions — blending softness, texture, and contemporary experimentation into a distinctive visual language.

Background

Trained between Lisbon and Amsterdam, Elara spent a decade in botanical illustration before turning to large-scale painting and the slow study of still life.

Process

Each piece begins with arrangement and light, then weeks of layered oil glazes — building depth until the bouquet feels suspended between bloom and decay.

(Collected by)

  • Fondation Verre, Paris

    Fondation Verre, Paris

    *

    *

  • Museo Botánico, Lisbon

    Museo Botánico, Lisbon

    *

    *

  • The Holloway Collection, London

    The Holloway Collection, London

    *

    *

  • Galerie Foss, Amsterdam

    Galerie Foss, Amsterdam

    *

    *

  • Private collections in 11 countries

    Private collections in 11 countries

    *

    *

  • Fondation Verre, Paris

    *

  • Museo Botánico, Lisbon

    *

  • The Holloway Collection, London

    *

  • Galerie Foss, Amsterdam

    *

  • Private collections in 11 countries

    *

Detail of a basket of flowers with shells, oil on linen

Looked at long enough, every petal becomes a landscape.

Looked at long enough, every petal becomes a landscape.

Looked at long enough, every petal becomes a landscape.

(Detail) Basket of Flowers with Shells, 2023

(Detail) Basket of Flowers with Shells, 2023

Exhibitions*

Exhibitions*

Exhibitions*

Solo and group exhibitions across Europe — from a first open studio in Porto to museum glasshouses in Lisbon.

Bloom & Decay — exhibition at Galerie Foss, Amsterdam

Now on view

“Bloom & Decay”

“Bloom & Decay”

“Bloom & Decay”

Twelve new paintings following the life of a single bouquet — hung in the order its flowers fell.

Twelve new paintings following the life of a single bouquet — hung in the order its flowers fell.

Dates

12 Sep — 30 Nov 2026

Venue

Galerie Foss, Amsterdam

(Upcoming)

[2026]

“Still / Life” — Solo

Still / Life — Solo — exhibition at Tate Exchange, London

Tate Exchange, London

[2026]

“Still / Life” — Solo

Tate Exchange, London

[2026]

“Still / Life” — Solo

Tate Exchange, London

[2027]

“The Slow Garden”

The Slow Garden — exhibition at Museo Botánico, Lisbon

Museo Botánico, Lisbon

[2027]

“The Slow Garden”

Museo Botánico, Lisbon

[2027]

“The Slow Garden”

Museo Botánico, Lisbon

(Past)

[2024]

“Pressed Light”

Pressed Light — exhibition at Foam, Amsterdam

Foam, Amsterdam

[2024]

“Pressed Light”

Foam, Amsterdam

[2024]

“Pressed Light”

Foam, Amsterdam

[2023]

“Field Notes” — Group

Field Notes — Group — exhibition at Christie’s Viewing, Paris

Christie’s Viewing, Paris

[2023]

“Field Notes” — Group

Christie’s Viewing, Paris

[2023]

“Field Notes” — Group

Christie’s Viewing, Paris

[2022]

“First Bloom”

First Bloom — exhibition at Studio Elara, Porto

Studio Elara, Porto

[2022]

“First Bloom”

Studio Elara, Porto

[2022]

“First Bloom”

Studio Elara, Porto

(Studio)

Every painting begins weeks before the first stroke — in the market, in the vase, in the light of a north-facing window in Lisbon.

Every painting begins weeks before the first stroke — in the market, in the vase, in the light of a north-facing window in Lisbon.

Every painting begins weeks before the first stroke — in the market, in the vase, in the light of a north-facing window in Lisbon.

(I)

Arrangement

Arrangement

Arrangement

Stems are chosen at the market at dawn and set against dark linen by a north-facing window. Some arrangements live for a single afternoon; others are left to wilt on purpose.

Duration

1–3 days

Materials

Seasonal stems, dark linen

White lilies in a glass vase against a dark background

(II)

Underpainting

Underpainting

Underpainting

A thin layer of raw umber maps the composition and the fall of light. It is quick, loose and almost entirely hidden — the bones beneath every bloom.

Duration

1 day

Materials

Raw umber, turpentine

Worn paintbrushes standing in glass jars in the studio

(III)

Glazing

Glazing

Glazing

Translucent glazes are built over weeks, one veil at a time, until the petals hold the soft depth of the real thing — suspended between bloom and decay.

Duration

4–8 weeks

Materials

Linseed oil, sable brushes

Tulips, columbine and roses on a ledge — a finished painting

Per painting

0–0 weeks

0–0 weeks

0–0 weeks

Layers of glaze

Up to 0

Up to 0

Up to 0

Arrangements per canvas

One

One

One

(Press)

[2025]

Still Magazine

“Elara paints flowers the way others paint portraits — with patience, and a little grief.”

“Elara paints flowers the way others paint portraits — with patience, and a little grief.”

“Elara paints flowers the way others paint portraits — with patience, and a little grief.”

“Her still lifes refuse to sit still. They breathe, droop, and quietly argue with time.”

“Her still lifes refuse to sit still. They breathe, droop, and quietly argue with time.”

“Her still lifes refuse to sit still. They breathe, droop, and quietly argue with time.”

[2024]

The Botanist Review

[2023]

Atelier Quarterly

“A rare painter who makes decay look like devotion.”

“A rare painter who makes decay look like devotion.”

“A rare painter who makes decay look like devotion.”

(Commissions)

Climbing white roses on an old wall — oil on linen

Commission a painting*

Commission a painting*

Commission a painting*

A small number of private commissions are accepted each year — a single arrangement, painted from life, for the person who will live with it.

[01]

Conversation

We talk about the room, the light and the flowers that matter to you — a garden, a wedding, a season.

[02]

Arrangement

Elara sources and arranges the stems, then shares studies and a colour sketch for your approval.

[03]

Painting & delivery

Eight to twelve weeks at the easel. The finished work ships framed, with a signed certificate of authenticity.

(Contact)

For commissions, studio visits and acquisitions, write to the studio.

Instagram

Represented by

Galerie Foss, Amsterdam

Studio

Lisbon, Portugal

Commissions

Open from March 2027

Elara*

© 2026

Floral paintings, oil on linen

(Contact)

For commissions, studio visits and acquisitions, write to the studio.

Instagram

Represented by

Galerie Foss, Amsterdam

Studio

Lisbon, Portugal

Commissions

Open from March 2027

Elara*

© 2026

Floral paintings, oil on linen

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